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I don't think it's ever going to leave from the SoundCloud era, because it's so accessible. Until another platform comes around that makes it as easy for artists to put themselves out there, SoundCloud is going to keep running the shit. That's just what it is. Then when you're signed and you have label backing and everything, then it's a DSP and playlisting game. All of that is really important, but it's more about the accessibility to your fans.
Taz Taylor: We finalized our deal with 10K Projects in like August or September of last year, but we had already been talking about an album for a minute. I brought it up to Elliot [Grainge] that I wanted to drop songs as an artist under Internet Money—just my favorite artists working together and putting songs together, like some DJ Khaled type shit. He was very encouraging of it. He's like, "I love it. I think it's great." So I had the song that Tecca gave me, "Somebody." He's like, "Yo, I'll give you this record, but I just want A Boogie on it." So I went and got A Boogie on it. Then we put it out with the video and everything. It went on Billboard for the first three weeks. It's gold now. It's about to be platinum. Online Income
That started the conversation for an album. Everybody was just like, "All right, cool. What's next?" Then we tried out a couple of different records. We have a song on the album called "Lost Me," which was originally called "Kobe," with Lil Mosey, Iann Dior, and Skies. But some shit happened on the business side where we couldn't release that for a while. Then we've got the Juice WRLD and Trippie song that's on the album now. It's called "Blastoff." I think I got that on December 6 or so, and got the go-ahead to start fucking with it. Then the Juice thing happened, which put everything on hold for a while. Every time we started ramping up and getting ready to do an album, something would happen that would just throw it completely off course.
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Of course, it's at the worst time, because all this corona shit's going on and the George Floyd stuff and everything. No one wants to work right now. Nobody's really sending verses. Nobody's really wanting to get in the studio. Some studios are shut down. So Swae was in Miami and—shout out my boy Resource—he FaceTimed me and Swae. Then Swae was like, "Yo, they told me you wanted to get in the studio. I've got to be on your album, bro." Come to find out, Swae has actually been following me on Twitter for like six years. I had no idea. After we get off FaceTime, he just DMs me. He's like, "Bro, I'm serious. Don't turn this album in without me." So, we got in the session literally the next day. Internet Money
Taz Taylor: The crazy thing that people are going to find out about this album is, a lot of these songs are throwaway songs that artists didn't want. They're songs I'm hearing and I'm like, "Yo, this is fucking crazy. Why don't you put this out?" And they're like, "I don't know, I just didn't really fuck with it." And I'm like, "Okay, well let me get this record." Then we go and we strip it. We take the Pro Tools session, and we take the AutoTune off the vocals. We change everything. We'll change the key. We'll change tempos. We'll change whatever. Then we'll just make a whole new record. Affiliate Marketing
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