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Taz Taylor: Overall, we just brought more development. There are a lot of artists who are getting signed, but labels don't necessarily care about them. We take artists and build them up from nothing. We don't care how many followers they have, what they look like, or whatever. We're turning out all these different types of artists in different genres. Lil Tecca and Juice WRLD are not even the same type of artists. Same with Trevor Daniel. I think it's a real '90s way of doing it. Like, Dre and everybody used to be really be hands-on with music, and develop artists, and just craft records. I think we're bringing that back. Affiliate Marketing
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The fact that so many people were involved, it's more meticulous than just a compilation album. This is a real album. If you look at DJ Khaled's albums and you're like, "All right, well this is DJ Khaled's album," then I want that same type of respect. The same thing with Metro Boomin. People don't look at Metro Boomin and think, "Is this a compilation album?" Because he's one person. But because Internet Money is a collective of like 40 people, they're like, "Oh, this is just a compilation label album." No, it's an artist's album. Internet Money is an artist. Online Income
Taz Taylor: Just because of the stigma with compilation albums. People look at them, like, "Oh, they just took a bunch of songs and threw it together." But we didn't just take songs and group them in a folder, like, "Well this is it." We chiseled out every fucking song on this album, bro. We stripped vocals. We went and changed shit around. We changed keys, bro. If you know anything about music theory and shit like that, if a song is in one key, you cannot put that shit in another. But we found ways to do it on this album. There's no rules. Work From Home